KQED : Behind the Beats | Drew Banga

This is where Oakland producer Drew Banga (neé Andrew Arnett) sits by himself on a Wednesday afternoon. Arnett looks small amid these imposing surroundings, but he speaks with boss-like matter-of-factness, waxing philosophical about the music industry as he listens to a remix of Cardi B’s “Bodak Yellow” and eats a Pepperidge Farm cookie.

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Last Day Deaf : SynthCity

SynthCity is a column, that will feature 5 recent electronic gems, that belong to synthwave, retrowave, darksynth, dreamwave or even vaporwave genres. Get prepared for a space-time journey, and for better results, unbury your rusty AMIGA-500 or AKAI from the cellar…. Press play on tape!

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Week in Pop PREMIERE | Baybs, "These Things in My Head"

“These Things in My Head” is an ode to the fears that once were reserved for isolated individuals and events extends to what has become our now all-too-familiar new normal. The spinning of the mind can be heard like whirling reel to reel spools during the intro that gives way to desires to spend the entire day(s) in the safe and comfortable confines of bed.

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BAY AREA MUSIC FOCUS

“‘Would You Dare’ is polished slacker folk rack, backed by singers Melissa Russi and Chloe Zelma Studebaker (of Zelma Stone) and Jacobs’ hook is a real nice payoff. The track is produced by Timothy Vickers, who’s sporting a golden touch on the boards as of late.”

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comeherefloyd: Bobby Renz ‘Dream’ : He’d got the itch to do his own thang. We think he’s on to something.

Bobby Renz’ most recent work includes co-production and mixing credits for Ronnie K’s ‘8 Weeks’, the ‘Saucy’ EP with Felicia Douglass (of the Dirty Projectors) as the group Lip Set, plus he’s produced for hip hop acts like Houston rapper Fat Tony and the Bay’s Richie Cunning, Ricky Lake, WADE08 and Tia Nomore.

But then he’d got the itch to do his own thang. His angelic side chided that it wouldn’t work. This more deviously innovative, devil in him, wanted out of this suit and explode into that opportunity to explore.

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Oakland artist Ricky Lake releases new album “Last Summer Sucked”

Spending most of 2019 as a feature fixture (and getting his first placement on Showtime's "The L Word"), Ricky Lake is now ready to claim some shine of his own. The woozy debut of The Mother 966 was just a taste of the moody and ominous pop-rap world Ricky Lake built for his most cohesive project yet, Last Summer Sucked, out today on Text Me Records.

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Sacramento News & Review: Genuis plays with words and sounds

The duo is called Genuis, and no, that’s not a typo. It’s pronounced like genius. Or genuous. Or take a softer, more French-sounding approach: “zhahn-wah.”

Genuis does not have anything particular in mind.

“We admire geniuses but we couldn’t spell it right,” says Anthony Leedom, half of Genuis.

Ha ha, very funny. But that doesn’t explain why Genuis released an album in December called Vtruea. Or why some of its song titles almost resemble real words, like “Wprds” or “Orphilian.”

“You know how some people have synesthesia, when they hear a sound they see a color? I have that with word patterns,” says Lien Do, the second half of Genuis.

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patrick brownleviathe-press
Davis Enterprise: The underground origins of KDVS band Genuis

“At first, instead of calling it a band, we said ‘we’re collaborating,’ so we wouldn’t have a ton of expectations of each other,” Do said. “In the beginning, we were just having fun. We didn’t really think about what would happen in the future.”

Today, the duo has opened for popular musicians Giraffage, Au Revoir Simone and Shabazz Palaces at venues such as The Chapel and Slim’s in San Francisco. They released their first album “.//WAV” last July on KDVS recordings and Popgang records, a collection of wispy and ethereal sensations coupled with elemental beats.

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patrick brownleviathe-press
The Deli Magazine: Band to Watch - Genuis

Band crush. Genuis is a San Francisco based experimental electronic duo that makes incredibly classy darkwave outer space tracks that holds your attention for every second their music is emitting from your speakers. These young musicians are sonically versatile and have an understanding of sound and layering that many musicians don't possess. Genuis' music has an intense amout of depth to it, but the music doesn't overwhelm you with layers that are dissonant, misplaced or out of key. Also, there can be one moment where you'll hear an intense intergalactic song and the next you'll find yourself listening to a minimal acoustic anti folk track. Nonetheless, by the time you get through their album, whether your ear catches a lofi or heavily produced song won't matter. 

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patrick brownleviathe-press